64 bit mastering

December 27, 2022

When I’m sixty-four…
In-house mastering is done in a 64-bit environment for maximum detail and clarity. Eq’s and comps are primarily Linear Phase types for zero phase distortion and ultra-high precision. Sometimes I even use my ears…

Audio Schematics
Audio Schematics Download Compressor Rack
Of course, there is an analog side to mastering and using tube amps to add warmth and limiters to maximize the sound is possible too. Any material will be treated with that special care and attention it needs.
 I aim to make every piece of music sound as superior as possible. If the music does not touch somebody it has failed…
Audio Schematics Download
Mastering is the final step in the music production process, where the final mix is processed and optimized for distribution. The bit depth of a mastering session determines the dynamic range and precision of the final product, and higher bit depths generally result in better sound quality. In recent years, mastering at 64-bit has become increasingly popular due to the advantages it offers over 32-bit mastering.

The primary advantage of 64-bit music mastering is the increased headroom it provides. Headroom refers to the amount of space between the loudest point in the mix and the maximum level that can be represented without distortion. In 32-bit mastering, the headroom is limited to approximately 1500 dB, which is sufficient for most purposes but can still result in some distortion in highly dynamic mixes.

In 64-bit mastering, the headroom is increased to 192 dB, which provides more space for mastering engineers to work with and results in a cleaner, more transparent sound. This increased headroom allows mastering engineers to apply more dynamic range processing, such as compression and limiting, without introducing unwanted artifacts or distortion.

Another advantage of 64-bit mastering is the improved resolution it provides. Bit depth refers to the number of bits used to represent the amplitude of a sound wave, with higher bit depths resulting in more precise representations of the wave. In 32-bit mastering, the resolution is limited to 24 bits, which provides 16.8 million possible levels of amplitude.

In 64-bit mastering, the resolution is increased to 32 bits, which provides over 4 billion possible levels of amplitude. This increased resolution allows for more precise adjustments and processing, resulting in a more detailed and accurate representation of the original mix.

One of the biggest advantages of 64-bit mastering is the reduced noise floor it provides. The noise floor refers to the level of noise that is present in a recording when no signal is present. In 32-bit mastering, the noise floor is typically around -192 dBFS, which is already extremely low and generally not audible.

In 64-bit mastering, the noise floor is reduced to around -384 dBFS, which is essentially imperceptible. This reduction in noise floor results in a cleaner and more dynamic sound, particularly in quieter sections of the mix.

Finally, 64-bit mastering also provides improved compatibility with modern recording equipment and software. As technology continues to evolve, many recording studios and software platforms are moving towards 64-bit processing. By mastering at 64-bit, producers and engineers can ensure that their final product is optimized for the latest recording and playback technology.

In conclusion, 64-bit music mastering offers a number of advantages over 32-bit mastering, including increased headroom, improved resolution, reduced noise floor, and improved compatibility. These advantages result in a cleaner, more dynamic, and more accurate representation of the original mix, and are particularly important in highly dynamic or complex mixes. As technology continues to evolve, mastering at 64-bit is becoming increasingly important for producers and engineers looking to create the best possible final product.

Related Articles

The Mug Shop!

The Mug Shop!

Where Every Sip is a Statement!Welcome to the DontFuckWithDaddy Mug Shop, where we don’t just sell mugs—we serve up life statements. Because let’s be real: the world doesn’t need another boring cup to hold your coffee. It needs a mug that screams your unapologetic truth. Whether you’re tearing...

read more
DIY Tape Restoration

DIY Tape Restoration

Curing sticky tape problems by baking! In the '80s some tape manufacturers made magnetic tapes of sonic good quality but poor physical quality! I have restored a lot of Ampex 456 tapes from this period in my 'oven' which is a hairdryer and a thermometer. This is a cheap and very efficient method...

read more
Electronic Schematics

Electronic Schematics

Electronic schematics are an essential tool in the world of electronics. They are graphical representations of electronic circuits, which show the connections between different components and the flow of current through the circuit. Schematics are used in the design, development, and testing of...

read more
Dirty Business

Dirty Business

If you ever heard about Jack Reacher you should meet his sister!Just like Jack, she is merciless in her pursuit of truth and justice. Both Jack and Debra are loners, but Deb needs to find her lost family. And being in the way of a determined woman proves fatal for mafias, trafficking rings and...

read more
Binson Echorec

Binson Echorec

This Binson Echorec is from 1960 and it still works. This model is made for Scandinavian countries. I contacted the company – which isn’t the same as the original, how long the rotating drum would last. They said they didn’t know. They never had to repair or replace a drum!...

read more
Building a few more GSSL 4000 Units

Building a few more GSSL 4000 Units

In 2014 we gathered a new team for mass production of the master bus compressor clone GSSL 4000. GSSL 4000 is reverse engineered by Jakob Erland. The sound is great but be careful not to over use it!  2 and a half day in deep concentration. People brought their own equipment but everybody was...

read more
Building Gyraf GSSL 4000

Building Gyraf GSSL 4000

Projekt by Jacob Erland 12 men, 2 ½ day, coffee, pizza, no sleep= 12 x GSSL.We met 12 men in a class room over a week-end to build 13 GSSL 4000 units. We drank coffee, ate pizza and breathed soldering steam.Working hard.Concentration.Silence.Engine Room.Backside.Gyraf GSSL 4000 Exhibit.Gear is...

read more
Gyraf G9 Tube Amp

Gyraf G9 Tube Amp

Mr. Caks and I met up and built 4 Gyraf G9 Tube Preamps. Design by Jakob Erland - Gyraf Audio.Quite messy but that is how it has to be!Inside one of the finished G9 units. Jakob Erland's G9 tube preamp is a high-quality, dual-channel preamp that is designed to provide warm and rich tube tone to...

read more
Gyraf G1176 Construction

Gyraf G1176 Construction

I wanted to build a couple of G1176 but I ended up with 4 because I wanted to have some to use in the mixing process. It is a fairly simple project and the wiring takes about the same time as the rest of the work. For more details visit: http://mnats.net/1176.html and www.groupdiy.dk The Workshop...

read more
Alesis HR 16 Drum Machine

Alesis HR 16 Drum Machine

The Alesis HR-16 is a drum machine that was first introduced in 1987. It was designed to provide musicians with an affordable and easy-to-use solution for creating drum patterns and beats for their music. I bought mine in 1988. So it is old! The HR-16 features 16-bit PCM samples of acoustic and...

read more
Roland SRV 2000 Digital Reverb

Roland SRV 2000 Digital Reverb

I bought my first Roland SRV2000 in 1986. The price when it hit the market was app. 20.000 Dkr. or 3.000 US$. I bought the next for 500 US$ and the third for 100 US$. These units are highly underestimated. They deliver excellent reverb on drums including gated reverbs. Sometimes the SRV2000 works...

read more
Tape Restoration

Tape Restoration

Curing sticky tape problems by baking! In the '80s some tape manufacturers made magnetic tapes of sonic good quality but poor physical quality! I have restored a lot of Ampex 456 tapes from this period in my 'oven' which is a hairdryer and a thermometer. This is a cheap and very efficient method...

read more
Bad Capacitors

Bad Capacitors

Bad caps are like the Plague. It happens to most electrolytic capacitors. Especially the cheap ones. You can almost always see on that capacitor if it is bad. Look at the top. It should be flat and plane. If it is bulgy or you see some brown fluid it is on its way to the eternal capacitor fields....

read more
Audio Schematics according to Open AI

Audio Schematics according to Open AI

What is audio schematics? Audio schematics are diagrams that show the components and connections in an audio system. They are used to visualize the various components and how they are connected, providing a helpful guide for building and troubleshooting audio systems. Audio schematics typically...

read more
The New AudioSchematics

The New AudioSchematics

Took me some time but glad to have released AudioSchematics on a new wellknown platform - WordPress. Danish version dropped as Danes easily read English. And of course we added a ton of new schematics!

read more
Microphones

Microphones

The antiques in my arsenalAKG D12 for Bass Drum and jazzy vocal. The AKG D12 is a well-known and iconic dynamic microphone that has been widely used in the recording and broadcasting industries since its introduction in the 1950s. It's particularly famous for its use on bass instruments,...

read more

0 Comments